Our Church
The First United Methodist
Church of Enterprise was organized in 1883 with 13 charter
members. The first services were conducted in a brush
arbor and a school. This early congregation was served by a
circuit rider, who also preached at other locations. Later
in 1883 to avoid the coming winter, the first building was
erected on North Main Street. In 1893 a larger structure was
constructed. The location of both of these buildings was
near the city cemetery. In the early years our church shared
a pastor with other churches. In 1898 the Rev. George
William Jones was assigned to the Enterprise church alone.
During his ministry the first parsonage was constructed on
the North Main Street property.
In 1903-1904 the third
and present sanctuary was built here on South Main Street with
the first service held on September 4, 1904.
Among the most notable
features of our sanctuary are the beautiful windows. These
stained glass windows are original to this structure and have
been repaired only as needed. An unusual feature of the windows
in our church is that each wall features a different color. You
will notice that the colors used are the liturgical colors of
the church year. Throughout its 2000 year history, the Christian
Church has used colors to symbolize seasons of the Christian
year and themes of our faith. On the window that faces Main Street the predominant
color is green. Green is the most commonly used color of the
church year. Green symbolizes our life in Christ and our
continued growth in Him.
The color purple of the
north facing window is used during the seasons of Advent (before
Christmas) and Lent (the season leading up to Easter). Purple
is the color of both penitence and royalty. Blue may also be
used during Advent and is a color of hope and has long been
associated with the Virgin Mary. White and gold are festive
colors used for the celebratory times of the year such as
Christmas and Easter and is always used for weddings in the
church. These festive colors are featured throughout the
windows.
The red windows are very unusual. Red is the color of fire and
is used to symbolize the Holy Spirit. Red is the least used
liturgical color with its primary use being on the Day of
Pentecost when the Holy Spirit descended upon the Disciples.
These windows do not depict
biblical scenes as many church windows do, but instead feature
an early 20th century geometric pattern.
Located in the chancel
area is the baptismal font. This marble font was a gift from Mr.
and Mrs. W. H. Creshull in memory of Mrs. Ann T. Harrison. The
approximate date of this gift was about the time of the building
of our sanctuary in 1904.
Christianity is rich with
symbols. In the early church, symbols were a way for the
believers to make themselves known secretly to one another, and
also symbols provided a way of communicating to worshipers who
could neither read nor write. The architectural details of many
churches often contain subtle reminders of the Trinity or the
Cross. The Main Street wall of the Sanctuary with the three tall
windows is the only wall of windows containing an obvious three,
but the bottom detail of each window is in the shape of a four petaled flower reminding the worshiper of the cross. The carved
detail on the end of each pew is also a reference to the cross.
Another reminder in wood is the carving of the top panels of the
original outside doors of the Sanctuary. The three arches are a
reference to the Trinity with the center one being the tallest
as it represents God the Father.
The seven branched
candelabra have several meanings. Seven is a number of
perfection as well as a symbol of the gifts of the Holy Spirit.
It also recalls the seven-branched Menorah of our Jewish
heritage.
The central focus of the sanctuary is the
pulpit. This fits in with our Protestant Evangelical heritage
where the proclaiming of the Word of God is central to our
worship. This pulpit is quite plain, adorned only with two
narrow Bible markers that reflect the liturgical color of the
appropriate season.
Just in front of and on a
lower level is the altar table. It, too, is part of our worship
center and has a dual function.
It is the altar of the church upon which we place our offerings
to God, and it is the communion table where we place the
elements of the Holy Communion. You will notice that there are
two candles on this table. Lighted candles represent the
presence of God in our worship, and the two candles represent
the dual nature of Jesus Christ, who is at once both fully God
and fully human. If you are looking for a Trinitarian symbol
here, notice that the pedestals of the candle sticks are three
tiered, and that symbolizes Father, Son, and Holy Spirit.
Likewise, the brass cross on the table has the three tiered
base. The cross is our most basic Christian symbol, and it is
central on the altar table. We cover the table with a scarf or
runner in the color of the season, except when the communion
elements are on it. These we cover with a fair linen cloth.
There is also a cross in the center of the organ
screen.
This cross was dedicated to the memory of Rev. William Stuart Guice, who was a pastor of our church. The quatrefoils (four
rounded leaflets) that make up the pattern of the organ screen
signify the four Evangelists, Matthew, Mark, Luke, and John.
One of the richest
sources for symbols in our sanctuary are our needlepoint altar
rail kneeling cushions. These cushions were an ongoing project
of a group of our United Methodist Women in the late 1970’s.
Mrs. Lily Hill of Auburn, Alabama, selected the symbols to be
used and designed the patterns for the cushions. She along with
14 women of our church lovingly stitched the cushions. They
feature symbols that depict God, Jesus, the Disciples, the
Apostle Paul, the Old and New Testaments, and John Wesley the
founder of the Methodist Church. You will also notice the
Methodist cross and flame on the cushions at each end of the
rail.
The center
cushion represents the Trinity. The hand in the center is
the hand of God reaching down from Heaven to create the world.
The thumb and two fingers extended form a sign of the
three-in-one. The earth is shown moving from day to night,
which symbolizes the creation of light and the creation of the
order of day, night, and time. Jesus is depicted as the Lamb of
God who takes away the sins of the world. The dove is the most
familiar symbol for the Holy Spirit. At Jesus’ baptism we are
told that the Holy Spirit descended on Him like a dove. You see
smaller symbols for the Father and the Son behind the dove. The
top corner symbols are the Alpha and Omega – the interlocking A
and O. Alpha and Omega are the first and last letters of the
Greek alphabet. We remember that Jesus Christ said “I am the
Alpha and the Omega, the beginning and the end.”The cushions around the
Trinity cushion contain symbols that have traditionally
represented the disciples. One example is the
cushion that represents Thomas, Andrew and the Apostle Paul.
Thomas, perhaps best known as Doubting Thomas, gave his life to
his belief in Jesus as the Son of God and died a martyr by the
spear in India. He is thought to have built the first house of
worship in India and thus we see the carpenter’s rule in his
shield.
Andrew, the brother of
Peter, is thought to have been crucified on this X type cross in
Greece, so it is depicted here on his shield. Paul, while not
one of the twelve, was chosen as the Apostle to the Gentiles and
writer of the great Epistles. The open book on his shield
signifies the Word of God, and the words SPIRITUS GLADIUS mean
Sword of the Spirit. In Ephesians 6:17 Paul writes, “The sword
of the Spirit, which is the Word of God.”
Cushions representing the
Old and New Testaments are placed here to show that our belief
is based on the Word of God. The New Testament is represented
here by symbols of the crucifixion and resurrection of Jesus.
The center symbol is the empty Resurrection Cross showing that
although Jesus was crucified, dead and buried, He lives. The
Easter Lilies are a symbol of the Resurrection as well. The IHS
Cross is a monogram of Jesus formed from the Greek word for
Jesus. Likewise, the Chi Rho (PX) is a monogram derived from
the first two letters of the Greek word for Christ. Constantine,
Emperor of Rome, had the Chi Rho placed on the shields of his
soldiers.
The Old Testament has as
its central event the giving of the Law of God to Moses. The
tablets of the Law appear as the center symbol. The
seven-branched candle stand is here, as well as the burning bush
representing the call of Moses to lead the Children of Israel
out of captivity.
The symbol of the United
Methodist Church is found at both ends of the Communion rail.
The United Methodist symbol has the cross as its center, its
name to one side and the two-tongued flame signifying the Holy
Spirit on the other side. Also on the cushion depicted here is
the Christian Year Wheel. It is an ancient visual aid used by
the early church. At its center is the monogram IHS to show that
all belief begins in Jesus. It is divided into quarters by a
cross. Begin at what would be nine o’clock and read clockwise.
You see the purple color of Advent followed by the White for
Christmas. Each season has its own small symbol and its own
liturgical color.
One of the most notable
features of our church at Christmas time is the beautiful
decorating. At the center of our decorations are the Chrismon
trees. The history of the Chrismon was begun when Mrs. Frances
Spencer of Danville, Virginia, was asked to make decorations for
her church’s Christmas tree. Not wanting to use colored balls
and other secular ornaments, she began making decorations using
only the colors white and gold and symbols that represented
Jesus Christ and the actual meaning of Christmas. In 1957 Mrs.
Spencer coined the term Chrismon for these special decorations.
The word Chrismon is a combination of the words Christ and
monogram. Hence, a Chrismon is made up of initials or symbols
of Jesus Christ.
The trees on which the Chrismons are placed are to be green, for the evergreen tree is
symbolic of the everlasting life we receive through Jesus
Christ. The lights on the trees are to be white, and the lights
are symbolic of Jesus who is the Light of the World. Only two
colors, white and gold, are used for the Chrismons because white
is the liturgical color for Christmas and gold reminds us of the
majesty and glory of Jesus, who is the King of kings and Lord of
lords.
The tradition of Chrismons began in our church in 1973 when Mrs. Wynel Whittaker
received a Christmas card with a picture of a Chrismon tree. She
began to research the tradition, and she and other women of the
church began to make preparations for our first sacred Christmas
tree. The tradition continued in this manner until 1987 when
Addison and Melissa Paul gave two 12 foot Chrismon Trees in
honor of their parents, Mr. and Mrs. Yancey Cader Parker and Mr.
and Mrs. Peter Floyd Paul. They were dedicated on November 28,
1987. The Pauls worked for over three years making more than 500
individual Chrismons, and they continue to give of their time
unselfishly to put up the trees and decorate our Sanctuary every
Advent Season. In addition to
the Chrismons, the Pauls created two Chrismon wreaths and two
heralding angels which hover around the cross. They raise golden
horns above the congregation to proclaim the glory of Christ’s
birth. A third angel, suspended in the center aisle was added
for the tenth anniversary of the Chrismons in 1997.
"The W. E. Law Memorial Organ"
The Music Ministry of our
church has been the beneficiary of some wonderful instruments
that enhance our worship every week. On Sunday, August 12,
1923, our organ was dedicated during a service that featured a
concert by an organist from Birmingham. The organ was a gift
from Mrs. Malinda Rowe Law as a memorial to her husband.
Descendants of the Law family are the Ed Sherling family who
have remained great friends of the instrument. The organ is a
1923 Austin Organ which features a unique walk-in wind chest.
You can actually step inside the organ. It was completely
refurbished in 2002, and is still a magnificent instrument.
The 1929 Steinway piano
was a gift in memory of James Benjamin Byrd and Mattie Parker
Byrd by their daughters in December 1953.
Here in the Chancel you
will see some of our Hand bells. The original two octaves were
purchased by the Walton Huey family as a memorial gift honoring
Mr. Huey. When Mr. Huey was dying he described for his family
his glimpse into heaven and remarked that he could hear the
bells of heaven. This was the inspiration for his family’s gift
to the church. Over the years the Huey family and others have
continued to support this ministry and we now have five octaves
of bells. Three annexes have been added to our Sanctuary
building in 1922, 1949 and 1954. The building now referred to as
the Old Fellowship Hall was built in 1963, enlarged in 1974, and
a second story Youth Department was added in 1989. Our newest
additions were completed this summer. A new Fellowship Hall
featuring a parlor, bridal suite, kitchen and a spacious seating
area with multimedia capabilities will allow many opportunities
for fellowship and worship. Our new Family Life Center features
a full basketball court, weight room, walking track, game area
and meeting rooms. We look forward to the outreach and
enrichment of our congregation that this space will afford.
For more than one hundred years,
Christians have gathered every Sunday in this space to praise
and worship God. Our heritage is rich indeed, and our future is
bright. Let us be fully committed to continuing the great
tradition of worship that we are so blessed to enjoy.